![]() ![]() Numbers 1, 2, 3, and 4 follow one another sequentially. On the left, each row is assigned a value that expresses the ratio of the string required for production of a perfect musical interval. | Tetraktys (the " fourness " ): the geometric representation of harmonicity of " 4th. There seems to be a general historic vector of growing complexity and finer incrimination in each subsequent tonal scheme in the timeline of the rise and development of tonal organization. In this way, tonal order, adopted as norm for each civilization serves to consolidate and reproduce the same worldview considered to be most effective in handling the everyday demands of the members of that civilization. Tonal order here can be viewed as a “combination lock” that encodes the social value system in interpreting the perceptual reality – and does it so in a format that is most comfortable and intuitive for transmission from one member to another member of society. This coherence remained pivotal for musical traditions up until the 17th century. The general rule of coherence between rational principles of music theory, social order, and political values in promoting certain ethical qualities in music is identified as a core in the development of great Bronze Age civilizations. As such, I selected those traditions that produced technologies that were novel and influential across multiple cultures. I base my investigation on the premise that organization of sounds in music reflects the same degree of sophistication and functionality, as do tools throughout the timeline in the development of humanity. It completes the line of historic development of principal methods of tonal organization from Bronze Age to Western and Near- and Far-Eastern civilizations of the 17th century AD. Initialization is not successfullyĪchieved on a PC.This is a sequel to Evolution of Tonal Organization, Part-1. On a PC, do not format the drive of the.Items that only have Windows or Macintosh indicated can only be supported by the target system.ĭata may not be successfully transferred. Items that can be used in Macintosh will be displayed as Macintosh. When removing the USB cable, be sure to follow the description in ☞ P.81. The recorder or uploading a file to the recorder, do not remove the USB cable even if the screen is indicating you can.įunction items that can be used in Windows will be displayed as Windows and functionĭata is still being transferred while the recording indicator light is blinking. Precautions on using the recorder connected As the noise may cause adverse effects on electronics devices nearby the recorder, unplug the external microphone and earphone when you connect the recorder.Sonority Plus" is executed or a Music Editing Plug-in is added (Option), various additional functions can be utilized (☞ P.93). ![]() Data can be written or uploaded to the recorder even though the attribute of the recorder drive is shown as Read-only by.Stored WMA or MP3 files on your PC can be transferred and played back on this recorder. If folders or files stored on the recorder are moved or renamed by using a file management tool in Windows or Macintosh, the order of files may be changed or files may become.In Microsoft Windows and Finder in Macintosh are different from the folder names that can be set with the recorder or the "Olympus Sonority". Voice files recorded on the recorder can be played and managed on the PC using the "Olympus Sonority".Voice files recorded using the recorder can be played using the "Olympus Sonority" software included on the provided CD-ROM or "Windows Media Player" (☞ P.95). Playback voice files on your PC (☞ P.87). ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |